CLEOPATRA'S REBIRTH - V2.0
|
A story as old as time, Cleopatra is returned to life, after her tragic departure.
<<<<<< ...
The
salty sea air whipped Cleopatra's hair as her
galley cut through the waves, a stark contrast to the luxurious
life she had once known. Her heart pounded in her chest, a mix of fear
and determination.
The Battle of Actium had been a crushing defeat, and she had fled, leaving Mark Antony to face the wrath of Octavian
alone, sure in the knowledge he would be killed in the action, his fleet
decimated and sinking, as she deserted the fleet. Mark Antony was dead.
The
galley, battered and weary, finally touched the Alexandrian shore.
Cleopatra, her heart heavy with dread, stepped onto the familiar sands.
The once-vibrant city, a testament to her power and beauty, now seemed a
ghost town, a stark reflection of her fading fortunes.
Her
mind raced, calculating her next move. Octavian, the ruthless
Roman leader, was closing in, his victory at Actium a harbinger of
doom. She knew she couldn’t rely on military might; her forces were
depleted, many had deserted, her allies scattered. She would need a
different weapon, one she had wielded with deadly
precision countless times: her allure and much admired biting
grasp of the
facts, so often eluding her foreign counterparts.
As
she bathed, she thought of Caesar and
Antony, men who had fallen under her spell. Octavian, though
younger and less experienced in love, was still a man. She would ensnare
him, just as she had the others.
BITTER FAREWELL
And then a fly in her ointment came on the scene as a shock. Cleopatra had planned for every eventuality, every contingency in preparing to seduce Octavian. But she hadn’t planned for this. Cleopatra's heart pounded with a mix of relief and dread. Mark Antony, the man she loved, the man she had betrayed and deserted when it mattered most, had defied death, evaded capture and limped back to Alexandria to lick his wounds, mostly heartbroken at being abandoned in battle.
How then to deal with this, with Octavian so close. The political animal inside her sent news to Antonious, that she had poisoned herself, where he refused to attend her bedchambers.
She had sent the false news of her death, a desperate ploy to lure him back.
She had sent a message, a cruel deception, to lure him to her.
She had expected angered reprisals, perhaps even resentment. But not this. Not the look of utter devastation in his eyes. The news of her supposed suicide had ignited a fire within him, a desperate love that blinded him to the truth.
The former Roman General had stabbed himself a mortal wound, never to heal. She of course was skeptical, thinking on her own benchmark deceptions.
When he arrived, his anger and anguish were palpable. He begged to enter, knowing he was fading fast. Pounding on her door.
She, the master manipulator, was caught in her own web.
She finally allowed entry to her mausoleum.
The man in her arms, ravaged by grief and betrayal, was a mere shadow of the powerful leader she had once known. Now a bloody mess.
“No,” she replied, her voice trembling. “I
should have believed.”
“You always were too kind.”
With
his dying breath, he whispered her name,
"C L E O P A T R A," his voice filled with a love that transcended
betrayal and
pain, a smile creased his rugged features. In that moment, she
realized the true cost of her ambition. She had sacrificed love for
power, only to find that power was meaningless without love.
And then, ..........
He was gone.
She had lost the love of her life, the only man who had ever truly understood her. She had sacrificed him on the altar of power, and now she was paying the ultimate price.
Gone
forever.
She had to think of the future, of Egypt, of her children. Octavian was approaching, and she had to ready for the performance of her life. Quickly, no time to dwell.
Now, she faced a new challenge: negotiating with
Octavian.
She would use her grief as a weapon, exploiting his pity and remorse.
She would bargain for the right to bury Antony with the dignity he
deserved, buying herself precious time to plan her next move.
AN UNDERSTANDING
Cleopatra,
once the epitome of beauty and power, now stood before Octavian, a mere
shadow of her former self. Her attempts to seduce him, to rekindle the
passion of old, had fallen flat. The man who had once been captivated by
her charms now saw her as a relic, a prize to be displayed and
controlled.
A political pawn. And that she understood from the looks of pity
that the Roman commander could not hide.
Though,
with no thoughts of love or lust, he only offered her humiliation.
He proposed to parade her through the streets of Rome, a captive queen,
a trophy of his victory. The thought of such public degradation was
unbearable, but she knew she had no choice. Her power was waning, her
options dwindling.
Octavian,
intrigued by her proposal, agreed. He saw in her a potential
political asset, a symbol of his triumph over Egypt. But he was also
wary of her cunning. He knew she was capable of great deception, and he
would not underestimate her.
THE FIG BASKET
Cleopatra,
though a prisoner, was far from defeated. She had secured a promise
from Octavian: a dignified burial in Egypt, alongside her beloved Mark
Antony. Yet, she knew that the Roman’s mercy was a fragile thing. He
suspected her intentions, the flicker of defiance in her eyes, the
secret plans whispered to her loyal handmaidens, Charmian and Iras.
About which she begged of them silence.
But even as she rejoiced in this small triumph, a shadow of doubt crept into her mind. Octavian, ever the cautious ruler, suspected her intentions. He knew she was capable of anything, even self-harm. To thwart her plans, he had doubled her guards, restricting her movements.
She
saw herself, a divine being, sailing down the Nile, towards the gates
of the underworld. Anubis, the jackal-headed god, would weigh her heart
against the feather of truth. If her heart was found to be light, she
would be allowed to enter the realm of the blessed.
... >>>>>>
ANGEL OF DEATH - Anubis and Isis occupy Josef Mengele's and Adolf Hitler's subconscious as spirits steering their legacies. WWII ENIGMA - The birth of computers at Bletchley Park under Alan Turing, code breakers, the Colossus and Adolf Hitler's Enigma INNER CIRCLE OF SIX - Nazi funded medical human research laboratories Joseph Mengele's Fourth Reich escape to Brazil reserve plan. BRAZIL BOUND - Doctor Death bargains for funding and logistics of relocation to Amazon South American base via Argentina. SCENE 1. THE BATTLE OF ACTIUM - Queen Cleopatra retreats leaving Mark Antony to lose against Octavian and seek a new deal with Rome SCENE 2. THE POISON ASP - Hotfoot from Actium, Cleopatra's plan to seduce Octavian backfired leading to a suicide pact with Anubis and Isis SCENE 3. WRATH OF THE GODS - 365BC destruction of Thonis and Alexandria, Anubis and Isis watch on in horror as Cleopatra is submerged SCENE 4. NEW WORLD ORDER - A Neo-Nazi plan to regenerate Aryan supremacy, for doing good SCENE 5. THE AFTERLIFE - Cleopatra's tomb lay lost for centuries submerged and out of sight with little change of discovery REBEL WITHOUT A CAUSE - Having reached the end of his PhD, William and Jane Bates have epiphanies, Will should follow his dream ROADBLOCK - Nobody would fund his R&D, William and Jane Bates are blanked by DARPA, computer and software houses QUANTUM LEAP - Jane and Will find backers, then US military and computer processor chip makers cyber attack, hack and bug them EXIT STRATEGY - Realising they will always be a target from industrial and military espionage, Jane & Will devise a cunning plan SCENE 6. CYBERCORE GENETICA - Nano computer technology is purchased at an auction by a semi religious sect, New World Order WASHING MACHINE - Inventor Franco Francisco comes up with the Incubus, artificial uterus concept while repairing his household appliance PATENT APPLICATION - Franco Francisco files his Claims with the Italian Intellectual Property Office (IPO) in Roma, Italia SCENE 7. INCUBUS - Roberta Ferrara secures the expertise of Franco Francisco for knights of the New World Order: Neuwelt Rittertum SCENE 8. SPLICE - Klaus and Eva von Kolreuter find a way to live forever using cloning technology; Genonimo Investments, Geneva SCENE 9. TREMORS - Cleopatra's feels vibrations after a shift in the tectonic plates triggered a tremor off the coast of Alexandria. SCENE 10. PANAMANIAN RUNNING MAN - The secret is out, an enhanced human is spotted running at unbelievable speeds MAJORIE BOYLE - Sam Hollis tracks down sexy backpacker, Majorie Boyle, to Brighton Point in Trinidad, beautiful Caribbean Island THE ARK - NeuWelt Rittertum headhunt John Storm seeking access to his genetic DNA map of life on earth, but they fail to reach agreement SCENE 11. THE AMAZON - Charley agrees to meet John & Dan at Manaus, but is a little too inquisitive OPERATION LEVIATHAN - New World Knights, Klaus and Franco go to Plan 'B' to track and steal the Elizabeth Swann & The Ark DNA database SCENE 12. TOMB RAIDERS - Safiya Sabuka and Musa Bomani dive among sifting sands to discover precious artifacts and golden treasures. SCENE 13. SCOTLAND YARD - The famous London DNA database is stolen, the biggest data heist to date. The Yard initiates a cover up SCENE 14. OPERATION ALEXANDRIA - Neo-Nazi occultists recover Cleopatra's sarcophagus from underwater tomb near Palace. SALVAGE RIGHTS - Entering Cleopatra's mausoleum, locating sarcophagus and raising with air bags to the surface, Safiya Sabuka tomb raider. COASTGUARD PATROL - Safiya and Musa surface off Alexandria to a waiting customs vessel, they pretend to be sports divers fooling the officials SARCOPHAGUS OPENING - The wooden inner casket is opened revealing Cleopatra's mummy, golden crown and death mask, perfectly preserved SCENE 15. KIDNAP - Charley is taken prisoner but John rescues her, in the process becoming injected with a serum SCENE 16. UNESCO - Catholic Church fear grave desecration heritage theft, asks agencies for help. Interpol issue Red Notice. AWAKENING - In the afterlife, the DNA extracted from Cleopatra's mummy triggers a divine stirring with Anubis and Isis comforting the Nile Queen SCENE 17. REPLICANT - The Society reproduce Cleopatra using Francisco's RepliVator™, uploading synapse sequence and implanted memories. BRAIN CONDITIONING - Klaus and Franco upload digitally recreated memories in historical order to trigger correct learned synapse firing sequence REBORN - The former Queen of Egypt speaks for the first time to her creators, proving that her brain is working, the implants succeeded SCENE 18. FULL STEAM AHEAD - Storm speeds to Thonis, then uses the Swann's AI sensors and the Ark database to find tomb has been plundered. PROPOSAL - Baron von Richhofen's gambit, a union of Royal ancient and Aryan blood, for strength and intellect, a powerful heir as her successor SCENE 19. RITUAL SACRIFICE - The Baron prepares a drugged Cleopatra for ceremonial impregnation. MANAUS TO ALEXANDRIA - A hydrogen powered race across the Atlantic Ocean in nine days, John Storm guided by Anubis and Isis SCENE 20. SANCTUM INTERRUPTUS - John finds secret Neuwelt hideout near Alexandria, disturbs ritual - rescues Cleopatra, arresting conspirators. SCENE 21. THE CHOSEN ONE - The reincarnated Cleopatra falls for her rescuer. John comes under her spell, despite her being a replicant. SCENE 22. MILITARY INTERVENTION - The military detain Cleopatra to appease stakeholders, despite media & medical protests. Storm distraught. SCENE 23. BATTLE ARMOUR - Thanks to some unexplained divine intervention, Dan Hawk talks John Storm into wearing a bullet proof suit. SCENE 24. GUANTÁNAMO BAY - History repeats itself, US military kidnap Cleopatra, John forced to rescue puts Elizabeth Swann at risk. MISSION IMPOSSIBLE - Commander John Storm, in Navy SEAL mode, attacks the Cuban torture camp at Guantánamo Bay, in stealth mode, black op. MISSILE LOCK - USA military try to hack into Hal, anticipating a strike, as the DOD launch Tomahawks, John hacks into NORAD, and redirects them. PRESIDENT LINCOLN TRUMAN - Hails the Swann to find out why John is shooting missiles at Guantánamo Bay, Storm sets the record straight. FINALE
|
|
|
Please use our A-Z to navigate this site or return HOME
The rights of Jameson Hunter and Cleaner Ocean Foundation to be identified as the author of this work has been asserted in accordance with section 77 and 78 of the Copyright Designs and Patents Act 1988. This website and the associated Cleopatra artwork is Copyright © January 2025 Cleaner Ocean Foundation and Jameson Hunter. This is a work of fiction. Names and characters are the product of the authors' imaginations, and any resemblance to any person, living or departed, is entirely coincidental.
|